
David Henry Hwang
news
More David Henry
Hwang news
In between taking care of his one year old and polishing
the next draft of Golden Child, David Henry Hwang continues to be
busy. He has written the libretto for Bright Sheng's new opera, The Silver
River, which will be premiered at the Santa Fe Chamber Music Festival
this summer (July/August). [Preliminary reviews have been quite positive;
the subject matter is quite relevant to Asian American concerns]
Up in Boston, he is acting as playwright in residence for
the Trinity Repertory Company and will do a new adaptation of Peer Gynt
by Henrik Ibsen (Ibsen and Hwang? whooaaa...).
He is also hard at work on three film projects: Umbrellas
for Newlyweds, an American version of the Russian film, to star Jessica
Lang; Texas Guinan, a film bio to star Bette Midler and to be directed
by Marin Scorcese for Disney and Gaijin, a comic drama for Robin
Williams. Now let's see how many of these get into the can...
Hwang's Golden Child attempts Broadway in 1997-98
David Henry Hwang's new play, Golden Child, was
not able to squeeze into a Broadway house this season. However, informed
sources tell the Revue that producer Ben Mordecai is trying to squeeze
the show onto Broadway in 1998, possibly around March. In the meantime,
there will be one more developmental production at a major theatre before
getting back to the Big White Way. According to the SF Examiner, this
is San Francisco's ACT, headed by a fellow Stanford alum, Carey Perloff...
Hwang to re-write Flower Drum Song
In other developments, the Revue has learned that
the "secret" Broadway musical that Hwang has been working on is
a rewrite of the book for the classic Rodgers and Hammerstein musical, Flower
Drum Song. This is rather amusing, as long time Asian American activists
know that this musical has long been reviled by "right-thinking"
Asian Americans as a piece of fake Orientalism (see Aieee!, Frank
Chin, et al).
However, a surprising number of Asian Americans, from A.
magazine to the Northwest Asian American Theatre's Judi Nihei, have expressed
a secret liking for the musical. Strip off the pseudo-Oriental baggage and
the pandering to 1950s biases, and there's a surprisingly dark story about
personal expectations and Asian American battles with immigration (Hmmmmm....wonder
if that has any application to the current time....). And Flower Drum
Song's effect on young Asian American actor wannabes cannot be underestimated
("Wow! Asian Americans can sing! And dance! Maybe >>I<<
can do that!")
Informed sources have learned that Hwang approached the
Rodgers and Hammerstein estate with a proposal and received carte blanche
to rewrite the script and to rescore the songs. If needed, he also
can use additional R&H songs (restricted to the ones cut from other
musicals). A definite addition: My Best Love, from Flower Drum
Song itself, cut from the out of town tryouts in Boston.
So, sit back. Or, better yet, go for those singing and
dancing lessons, because this revival (one of the best opportunities for
APAs to make it to Broadway) is rumored to be shooting for a 1998-99 opening.
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