History for

• East West Players
• PanAsian Repertory Theatre
• Northwest Asian American Theatre

Kabasares, Kennedy

• Beyond Gifted (EWP, 2003)
  A young woman searches for her gifted brother who desperately wants to fly away. Isolation, reaching out, and paranormal activity intertwine in this modern mythological tale.

Kageyama, Rodney

• Mr. Sharpy/Don't Forget My Name (EWP: Paper or Plastic, 2000)

Kam, Winston
Asian Canadian playwright

• Bachelor Man (Theatre Passe Muraille, Toronto) 1987
• Letters to Wu (Firehall Theatre, Vancouver) 1989
• Via The Rockies (CBC Radio) 1990
• Isiah (Go For Broke Festival, 1996)
  A vampire play with a twist. Kam's vampire is an immigrant seeking refugee status in Canada.

Kamani, Ginu (with Joel Tan)

• The Cure (AATC, 2003)
  Set in Hollywood in 1993, The CURE blends Indian spirituality into a gripping romantic tale entrenched in the AIDS crisis. The CURE weaves the story of Winston Chao as the "new face of AIDS" battling with his viatical-digging lover Harmony at a the Living OM weekend retreat run by Jeanne and Polly . Elvis, who descends from the heavens as the Indian spiritual god, Shiva, represents the both the beacon of hope and messenger of loss as those mortal on earth struggle to find a cure for AIDS.

Kamath, Mrinalini
A recent M.F.A. graduate in playwriting from the Actors Studio Drama School. An Indian American writer from Princeton, New Jersey, her plays have been performed around the country as well as the United Kingdom and Australia, and have been published in the Smith and Kraus anthologies: Best Stage Scenes of 1999, Best Stage Scenes of 2000 and Plays for 3 or More Actors.

• Boom! (SALAAM!, 2001) a one act
  Ashok and Sheela, an Indo-American couple, are visiting India for a relative's wedding. On New Year's Eve, amid fireworks and gastro-intestinal problems, they realize that they have very different feelings when it comes to ethnic identity.
• Bunnicuba
  Harold, a gay urban professional, visits an urban shaman in the hopes of ridding himself of the half-woman half-rabbit succuba that visits him nightly.
• The Some of All Parts
  After four successful dates, Margaret invites Jonathan back to her apartment. Once there, though, Jonathan seems to be interested in anything but sex. All is explained when an unexpected guest shows up. A farce in ten minutes.
• Bemused
  "Hell hath no fury like a [muse] scorned."
• Sweet Dreams, Baby
  Grace, a thirty-something bookseller, wakes up one night to find that the "man of her dreams," has materialized. But as things start going wrong, Grace realizes that there are some things that even the perfect man can't fix.
• Hart's Palpitations (co-written, with music by Matthew S. Anderson)
  A ten-minute musical that takes place in a clinic for the treatment of love-related injuries. Can Dr. Hart overcome his previous bad experience with love, save his love-struck patient and finally notice the loyal Nurse O'Plasty - all in ten minutes? Written as part of Raw Impressions Musical Theatre event number seventeen (RIMT 17 - "love by degrees").
• Roulette
  Gina, a Westchester housewife, visits her Aunt Loretta in Brooklyn, after Loretta's brother Frank passes away. While clearing out Frank's room, Gina comes across something that could cause a potentially explosive situation.
• Confessions from the Afterlife
  Steven and Rahul, 18-year-old best friends in life, meet in the afterlife, where one has a lot of explaining to do.
• Views
  David and Diane were high school sweethearts who married after Diane became pregnant. Now they live in a cramped studio apartment in Manhattan, where Diane takes care of their two-year old son. When David announces that his boss has fired him, the couple spirals into an argument that forces them to reevaluate their married life together.
• Celestial Motions (SALAAM, 2004)
  Celestial Motions tells the story of what happens when 25-year-old Leela's parents (immigrants from India) realize that they forgot to take daylight savings time into account when they had her Hindu astrological chart drawn at her birth. They have it redrawn, and the startling prediction sets the young woman on a journey of arranged dating and cyber romance, as her parents desperately try to control her fate. Little do they realize that Leela's destiny is closer than they (or Leela, for that matter) think. An intercultural romantic comedy.

Kan, Lila (music by Louis Stewart)

• Shanghai Lil's (Pan Asian, 1997)
  A musical, set in a stand-in for the Forbidden City, on the Chop Suey Circuit.

Kang, Angela

• When Tigers Smoked Long Pipes (East West, 2001)
  Tales of transformation adapted from favorite traditional Korean folktales such as Sister Sun, Brother Moon; The Woodcutter and the Heavenly Maiden; The Blind Man's Daughter; and others.

Kang, M. J.
M.J. Kang is a playwright and actor based in Toronto. She's been everything from a sound designer to stage manager to an assistant director. Her plays include Noran Bang: The Yellow Room (Cahoots Theatre Projects) and where she was writer on the collective Urban Donnellys (Theatre Passe Muraille).

• Hee Hee: Tales From The Diamond Mountain (Blyth Festival Theatre)
• Noran Bang: The Yellow Room (Cahoots, 1998)
  M.J. Kang's child's-eye view of a Korean family's emigration to Canada. The play, inspired by a memory fragment, starts off full of dreams and ancestral memories, recalling that time in childhood when reality, dream and hallucination are equally real.
• dreams of blonde & blue (Cahoots Theatre Projects and Theatre Passe Muraille January 2002)
  In a failing New York City restaurant, a man dreams of returning to Korea to become Prime Minister decades after leaving. His wife laments a lost career in science and comforts herself with fashionable clothes. Their daughter tries desperately to find love and acceptance while refusing to be a dutiful receptacle for her parent's fantasies. With humour and compassion, M.J. Kang draws a compelling portrait of a family struggling to escape the past and embrace the future.
• Corner. Store. Riot. (Cornerstone Theatre, 2002)
  In South Central, the Lees, a Korean family and owners of a mom & pop shop, watch as their dreams of prosperity clash with reality as tensions mount with their African American neighbors in the months prior to Sa-i-gu or 4/29. Though fictional, it is based on extensive research and interviews.

Kang, Skye

• Sincerely Single (EWP, 2005)
  A comedy about a carelessly single gal looking for love in all the right places and still coming up short.
• Lawrence, Lori, Lana and Linda (EWP, 2007)
  One man. Three women. The possibilities (and complications) are limitless.
  

Kanagawa, Hiro
Hiro is currently Playwright-in-Residence with Vancouver's Rumble Productions and is working on a new play which imagines the adult life of "Trouble," Pinkerton and Cio-Cio-san's love-child from Puccini's Madama Butterfly. Hiro's previous play Tiger of Malaya, meanwhile, is being translated into Japanese by award-winning translator, Toyoshi Yoshihara. Recent screen work includes story editing for Da Vinci's City Hall and a writing credit on the season finale. He also recurs on the show as Fire Captain Roy Komori.

• Cyberia (Go For Broke Festival, 1996)
  A Bermuda Triangle comedy.
• Slants (EWP)
• Tiger of Malaya (Factory Theatre, Toronto, 2003)
  Hiro Kanagawa’s script examines the post–WWII trial of Japanese general Tomoyuki Yamashita. Yamashita was military governor of the Philippines for the last year of the war. During that time, Japanese troops committed numerous atrocities against the Filipino population, and in the trial, Yamashita was held responsible for them. In Tiger of Malaya, Kanagawa makes a compelling case that the court proceedings were nothing but a trumped-up spectacle used to justify American general Douglas MacArthur’s desire for revenge against a defeated opponent.
• Trouble and Joy (Rumble Theatre, 2006)

Kapil, Aditi Brennan
Aditi Brennan Kapil is a Twin Cities writer, actress, and director, of Bulgarian and Indian descent and of Swedish nationality. She is a graduate of Macalester College with a BA in English and Dramatic Arts. In 2004-05 she was a Many Voices Fellow at the Playwrights’ Center. Aditi’s playwriting credits include Gotama for Heart of the Beast Puppet and Mask Theater, March 2006, The Deaf Duckling, a bilingual (ASL & English) educational touring show about growing up Deaf, created in collaboration with Deaf performer Nic Zapko for Mixed Blood Theater, and The Adventures of Hanuman, King of the Monkeys, a Bollywood style musical inspired by tales from the Ramayana for SteppingStone Theater for Youth Development (March 2006). Aditi’s directing credits include Queen of the Remote Control, Bill of (W)Rights, and The Primary English Class at Mixed Blood Theater. She has performed at a variety of Twin Cities theaters including Mixed Blood, Jungle Theater, Eye of the Storm, Park Square, and The Playwrights’ Center.

• Starling Project (Temporary Title) (by Rhodope Theater Collective, Bulgaria, 2008)
  A play with music, motion, and many languages about immigrants in America. Work-in-progress.
  
• Invigorate the Common Well, Part 2: Beneath The Surface (In the Heart of the Beast Puppet and Mask Theater, 2008)
  A circus-style puppet play about the quality and privatization of water.
• Love Person (Playwright’s Center, 2005)
  A four part love story in Sanskrit, ASL and English, Through Sanskrit, American Sign Language, and English, two sisters and their partners search for human contact and for love. Is it possible for two languages to fall in love, or for love to survive without communication? And does sex really trump words?
• Gotama: A Journey to the Buddha (In the Heart of the Beast Puppet and Mask Theater, 2008)
  A play about the early life of Siddhartha Gotama, created in collaboration with Andrew Kim and Masanari Kawahara.
• Chitrangada: The Girl Prince (Steppingstone, 2008)
  A one-act play for youth in iambic verse. Adapted loosely from a brief incident in the Mahabharata, and the dance drama by Rabindranath Tagore.
• Messy Utopia, The Ballad of Accountant Jo (Mixed Blood Theatre, 2007).
  One of 5 short plays about the biracial experience, created in collaboration with Velina Hasu-Houston, Naomi Iizuka, Seema Sueko, and Janet Allard.
• The Adventures of Hanuman, King of the Monkeys (SteppingStone Theater, 2006)
  A Bollywood-style musical re-telling of the central story in the Ramayana from the perspective of Hanuman the mischievous monkey.
• The Deaf Duckling (PlayLabs 2004)
  A one-act educational play about growing up Deaf, created in collaboration with Deaf Performer, Nic Zapko.
• Buck the Rider (Thirst Theater, Produced Winter 2007)
  One act.
• The Courbet Cure (Thirst Theater, Produced Spring 2006)
  One act.
• Cirkus Kalashnikov (Emigrant Theater, 2006)
  A 10-minute play about an immigrant Bulgarian subway driver with a tendency to kill people.
  

Kapoor, Ravi

• Oh, Sweet Sita (Tara Arts, 1997)
  East meets West to create a combustible collision of high comedy and outrageous incident in Oh Sweet Sita. Non-Asian audiences might not know that Liverpool writer/director Ravi Kapoor has adapted his play from the classic Indian text The Ramayana, which tells the story of a young woman who expires after being unjustly accused of infidelity.
• The Prince of Delhi Palace (Disha Theatre, 2002)
  The story of Hamlet set in a curry house. Following a father's demise by a poisoned pickle and a motherís remarriage to the fatherís twin, a son searches for one good memory of the dead man's worth amongst the turmeric stained dishes, the pungent losses and the salted scars he left behind. But in the process can he remain true to his own values or will he just become "...his father's little monster. The offspring of his stain?"

Kashiwagi, Soji

• The Grapevine (NWAAT, 1993)
• The Camp Dance: The Music and the Memories (Grateful Crane Ensemble, 2004)
  Set in an internment camp during World War II, the two-hour show features popular songs and dances of the 1940s, along with vignettes based on interviews with former internees. The show is not set in a specific camp, since all held dances.

Kashyap, Keshni
Keshni Kashyap was raised in Los Angeles by Indian parents. She attended Berkeley where she studied Literature and started making experimental videos and documentaries. After spending a year working for veteran indie director Wayne Wang, Keshni enrolled in UCLA's Directing Program where she wrote and directed four short films, including Hole (2002) and Good Thing (2004), which have both been recipients of UCLA Spotlight Awards. Her films from both UCLA and Berkeley have screened in over thirty festivals worldwide. Keshni has traveled all over the world, especially in South East Asia, where much of her extended family still lives. She credits her high school photography teacher for showing her, early in life, how to frame a shot, and wants to make story driven films that explore people's internal and imaginary lives. She is currently working on two feature length projects, both darkly comic in nature. She lives in Venice, California.

• That's the Noise (EWP: Paper or Plastic, 2000)
  Three young women look for love in the mysterious world of urban opportunity.

Katano, Mimi

• A Story of Sadako (Youth Theater Northwest, 2002)
  The story of a young Japanese girl who was infected with the A-Bomb disease. Sadako folded a thousand paper cranes as an offering to her prayer for a prolonged life. Experience her story as her family and friends helped create the well known memorial in Hiroshima. A symbol of struggle for life and the prayer for peace that has traveled around the globe. (Children's Theatre)

Kato-Kiriyama, Traci
is an artist and activist who is currently content with the categorizations of performance artist, writer, actress, arts producer, and teacher. With a true love for collaborative and ensemble work, she and her partners, Kennedy Kabasares and Edren Sumagaysay, tour the country with their theatrical piece, "zero 3 - stage and spoken word superheroes." She also enjoys creating and performing with other partners and collectives, including work with visual artist and writer, phloe; the Women of the Balagtasan Collective; and Great Leap's Collaboratory project. Her written work appears in newspapers, journals, zines, and books including The Rafu Shimpo, Gidra, The Manzanar Committee's "Keep It Going - Pass It On", and Regent Press' "An Eye for An Eye Makes the Whole World Blind - Poets on 9/11." She has also had the great fortune of working as a teacher and director with such groups as Khmer Girls in Action in Long Beach; Eskuwela Kultura in Historic Filipinotown; the PAPAYA program in Alhambra; and most recently, alongside Nobuko Miyamoto with college students from the Hmong community at the University of Wisconsin. A firm believer in art as a means for building community, traci is the founder and producer of the Tuesday Night Cafe Project in Little Tokyo. "Tuesday Nights" aims to:
provide an ever-evolving, multi-disciplinary arts venue in Little Tokyo; gather together Asian American and other local L.A. artists from a variety of disciplines, backgrounds, and experiences; draw a diverse audience of people into Downtown L.A. on a regular basis; and provide an impassioned, positive atmosphere that lends itself to (/begs for!) honest artistic creativity, progressive-beyond-P.C. self-expression, and risk-taking for emerging artistry.

• Chasing Dad (Ford Amphitheatre, 2006)
  Staring into the faces of birth, death and regret, a daughter realizes and discovers her spirit and true power.

Keh, Vivian

• Persimmons in Winter (Yale, 1998)
• Samsara (East West 2001)
  A warrior woman. A comfort woman. A modern woman. Three women tied by Karma, navigating through the turbulent seas of...Samsara

Khoo, Aurorae

• Yellow Jell Baby ()
  a womb-eye-view of three generations of Chinese-Americans in California that are afraid of change. The third generation, still in utero, refuses to be born, preferring to remain in the womb to enjoy his powers of communicating with the living, unborn and dead and to avoid being discriminated against because of his bi-racial ancestry. Old Wang, the grandfather, is lost in the past, while Edmund, his son, romanticizes it. Molly is afraid to have the baby because she fears motherhood. The discovery of a demon among them who plans to steal their future if they do not face change provides the impetus for this family to face the inevitable.
• The PC Laundromat (Young Playwrights Festival, 1992)
• Double Auntie Waltz (Immigrant Theatre, 1999)
  A full-length work in which, recovering from a romantic crisis, Lorna Ong visits her two elderly aunts in San Francisco's Chinatown, and has encounters with ghosts, a junta general, and a sex-crazed chiropractor.
• Happy Valley (Mu Performing Arts, 2005)
  Life in Hong Kong for 13-year-old Tuppy and her guardian uncle is a magnificent world of horse racing, chinchillas and make believe. But as the 1997 handover of Hong Kong to mainland China looms, their untraditional family must scramble to devise an exit strategy. At once a charming comedy and a complex drama, Happy Valley explores racism between Asian ethnic groups, the struggles of adolescence, and the life changing nature of emigration.
  Review here
  Another revew

Kiamco, Rich

• Unaccessorized (Peeling, 2003)
  A gay Filipino diva escapes the cornfields of Illinois and begins a coast-to-coast odyssey among millionaires, con artists and salmon-colored fabrics.

Kikuchi, Paul

• Ixnay (East West, 2006)
  Raymond Adachi is in the prime of his sansei life when he's accidentally pulled up to Heaven. But when he finds out he's been arranged to be reincarnated as a Japanese American, Raymond flat out refuses. Come watch this comedy about an Underachieving Asian who causes major havoc at the Reincarnation Station when he ixnays his Next Life.

Kikumura, Akemi

• The Gambling Den ()

Kim, Chungmi
Bio: Born in Korea, received an M.A. degree in theater arts from the University of California at Los Angeles. She has written and produced a number of television programs, including "Koreans in L.A.," and "Poets in Profile." She received Emmy nominations for her work as co- producer of "Korea," a 23-part news series, and "Korea: The New Power in the Pacific," a one-hour news documentary for KCBS-TV. Her full-length play Hanako (earlier version of Comfort Women) had a World Premiere at East West Players in Los Angeles in 1999.  Ms. Kim is the author of Chungmi--Selected Poems; her second book of poems, Glacier Lily, was recently published by Red Hen Press. Her poems and articles have appeared in many journals and anthologies.

• Hanako (East West, 1999) (Revised title: Comfort Women)
  During World War II, the Japanese Imperial Forces drafted more than two hundred thousand women from Asian countries, the majority from Korea, and forced them to serve as sex slaves known as "comfort women" for Japanese soldiers. Hanako is an emotional story of the Korean "comfort women" who suffered in silence, as their stories remained buried for decades.

Kim, Euijoon

• My Tired Broke Ass Pointificating Slapstick Funk (EWP: Paper or Plastic, 1999)
  It's a story about Eric who is plagued by old men with little dogs, mysterious fuzzy slippers, arrogant video store clerks, and angry Asian actors. He hasn't been right since he traded insults with Karen in the men's room of that club in Koreatown. How is this generAsian 1.5'er going to get out of his tired broke ass funk?
• Karaoke Stories (Second Generation Productions, 1999)
  Karaoke Stories spoofs, parodies, and satirizes everything from romantic comedies, directors Quentin Tarantino and John Woo, samurais, and the screenwriting process itself. The stories come to life on stage as Eric, a twisted but idealistic Korean American writer, and his wannabe filmmaker friend Jeff spend an evening at a coffee house unveiling their dark opus, Karaoke Stories, “a film consisting of six or seven fucked-up stories of love, taking place in a shithole karaoke bar (rehab for the emotionally retarded).” They narrate, improvise, rewrite, and meditate on the extremes people will go to in search of love in this wonderfully outrageous play.

Kim, Lucy J.

• 30 (EWP: Paper or Plastic, 1999)
• Leon & Clark (Moving Arts, 2000) A quickfire and robust comedy about two brothers grieving for their mother, soon to meet each other for the first time in seventeen years. Their sparky and combative relationship gives rise to some great gags, but is at heart deeply touching.

Kim, Nic Cha

• A Taste of Home (Berkeley Community Theatre, 1996)
• Trans Sans (EWP: Paper or Plastic, 1999)
• Point (Lodestone, 2006)
  When the lead actress drops out before the final scene is shot, two filmmakers go "on the road" in search of a new ending.   When the world starts to collapse all around them, they find shelter in a country bumpkin, a magician and a runaway.  Do they find their ending?  Yah, well, sort of... if you can call it that.
• Hyperbola (EWP: Paper or Plastic, 2000)
  Lang thinks his wife is gay. Mary thinks Lang is cheating on her. Mary's best friend thinks Lang is hot. Lang's psychiatrist thinks they're all crazy. It's usually bad timing to quit smoking when your marriage is failing. Don't worry-we can help you.
• Trapezoid (Lodestone, 2007)
  Peter is a poet in a relationship with a wonderful woman.  When scientists at a technology think tank fail to create the first true artificially intelligent life-form, they enlist his help as a last resort.  A scientific slam, Peter’s work results with unexpected consequences as AIMEE 2.1 is re-launched. There’s only one thing more dangerous than a poet in love: the bastard born of it.
• Re-verse (Lodestone, 2008)
  David's ten-year high school reunion is coming up and he'll go to great lengths to make an impression. One Act.

Kim, Sang

• A Dream Called Laundry
  It is a story of a former comfort woman whose only daughter is about to elope with her Japanese boyfriend who, it turns out, is the son of the comfort woman's lover (a Japanese soldier) during the war. The daughter may or may not be her boyfriend's sister.

Kimochi, Sid

• Remember When... (AACT, 2004)
  A young, Filipino man, who, after having been away to college, returns to his community and visits his high school friend. This is a revealing look at the college-graduate's dilemma of returning in hopes of searching for what he left behind once.

Kneubuhl, Victoria Nalani
Playwright Victoria Nalani Kneubuhl was born in Honolulu of Samoan, Hawaiian and Caucasian descent. She has been actively involved in producing many community programs which reflect the unique history and lifestyle of her island home. In 1994, she was honored with the Hawai’i Award for Literature, the highest literay award in the State of Hawai’i, and in 2001, she was named one of the Extraordinary Women of Hawai’i by the Foundation for Hawaii Women’s History and the Native Hawaiian Library of ALU LIKE, Inc. As a playwright, she has had twelve plays produced, several of which have toured Great Britain, the U.S., the Pacific and Asia. She has also written documentary scripts for Hawai’i Public Television.

• The Conversion of Ka'ahumanu (Kumu Kahuna, 1988)
• Tofa Samoa (Okinawa International Children's Theatre Festival, 1994)
  Tofa Samoa ("Goodbye Samoa") is the story of 11 year old Sela and her 12 year old brother Tanu, whose family decides to moce from Samoa to Honolulu. Through the character of their grandmother, who remains behind in Samoa, but whose stories and memories Tanu and Sela carry with them to Honolulu, the young people learn to draw pride and strength from their heritage to help them cope with their new life. Understanding how important family and heritage are in each of our lives, and how pride in those factors can help us through the most difficult times, are ideas which serve as the basis for the play.
• Ola Na Iwi  (The Bones Live) (Kumu Kahua, 1994)
  It’s not “who done it?” - we know that right away.  It’s what happens afterwards that’s a mystery.  Kawehi discovers Hawaiian bones at a German museum that call out to her, so she takes them back to Hawaii.  She is pursued by Gustav, who hires Fatu and Mina, private investigators, to help him locate and retrieve the bones.  When Pua, Kawehi’s former boss, finds out about the bones, she wants them too, but what is her motive?  But the bones seem to have a life and purpose of their own, guiding Kawehi to help achieve this goal.  Kneubuhl has woven history and culture and entwined them into a mystery with intriguing subplots. 
• Kai'iulani ()
• Emmalehua (InterACT, 2003)
  It's 1951, Hawaii. Emmalehua is caught up in the trend sweeping Hawaii, being American. She has forsaken the hula, which her half sister, Maelyn has embraced. The time has come for her to make a choice of being American, like her husband Alika, or being Hawaiian as she was raised by her father, Kaheka. Into this pictures comes Clearwater, a Native American from the mainland working for her husband.
• The Story of Susanna (UC Berkeley, 2003)
• Fanny and Belle (Kumu Kahua, 2004)
  Many of us are familiar with the life of Robert Louis Stevenson, the author of such widely acclaimed novels as Dr. Jekyll and Mr. Hyde, Treasure Island and Kidnapped. Few, however, are aware of the life of his wife, Fanny Osbourne, and her daughter Belle—a true story that reads like an adventure novel in its own right. Free-spirited, strong-willed and courageous at a time when these character traits were not common (or particularly welcome) in American women, Fanny and her daughter traveled independently from Indiana to San Francisco, France, Hawai'i, Australia and Samoa. Using poetic language, weaving episodes through time and space and employing a cast of characters playing multiple roles, playwright Kneubuhl transforms a fascinating biography into a mesmerizing theatrical experience.

Knox, Paul
He is the Executive Director of Circle East (formerly the Circle Rep Lab) and a cofounder and trustee of the Tides Foundation - India Fund, which supports grassroots education and community building efforts among sexually marginalized groups in South Asia.

• What Flavor is Your Slurpee (SALAAM, 2004)
  Place: A 7-11 convenience store just outside Wilmhackey, South Dakota. Time: Way past any sensible person's bedtime.
• Informed Consent (2004)
• Kalighat (2003)
• Gehri Dosti: 5 Short Plays with a South Asian Bent ;-) (2003)

Kondo, Dorrine
Feature article is here (Stanford grad? Damn, yet another professional I embarassed myself before when I was an undergrad...)

• Seamless (Scene Dock, 2003)
  What are the enduring effects of global war? Seamless stages the persistence of the historical memory of Japanese American internment in generations born AFTER the camps, as shards of family and racial memory pierce the seamless perfection of WOMAN's life as an Ivy League, corporate lawyer. Surreal, funny, poignant, Seamless is especially resonant in a post-9/11 world.
• But Can He Dance (SDAART, 2003)
  Animated by music and a high energy, presentational style, But Can He Dance? chronicles the romantic adventures of SHE, a thirty-something Asian American Everywoman in her quest to find love and the perfect dancing partner.  At first dismayed by the ways men stereotype her as an exotic erotic Asian, SHE asks the question, "Can I at least find a man who can dance?"  Her picaresque adventures lead her from hip hop to salsa to ballroom to techno, as SHE dances her way through encounters with African American, Latino, Asian American and Caucasian suitors.  Along the way, SHE confronts amusing, often wrenching, truths about love, sex, maturity... and the pleasures and dangers of an irresistible dance groove.

Kong, Chil

• Catching Fireflies with Clown Hands (Lodestone, 2001)
  Aimlessly bouncing through his life as a professional clown, the Clown confronts his deepest pains and darkest fears through the relationships in his life, songs from his past, the story of Alice's Adventures in Wonderland, and recurring dreams of chasing fireflies.

Kubota, Warren

• Webster Street Blues (AATC, 1988)
  Webster Street Blues is a warm, funny, nostalgic look at the lives of four young Japanese adults growing up in Japan Town. The looming issues of the Vietnam War, redevelopment, interracial relationships, finding a date and bowling, complicate the lives of the four characters. These four characters inhabit Webster Street Blues, a comedy about relationships, love and angst set in San Francisco's Japan Town in the summer of 1972

Kuo, Paul

• The Sun No Longer Rises in the East (Metamorphisis Theatre, 2007)
  The Sun No Longer Rises in the East is an up front and personal look at a part of Chinese History that is controversial, but often overlooked. The story follows Ziyi, an active Christian living in China, in the second half of the twentieth century during the Cultural Revolution. He has been imprisoned and tortured for eighteen years by his childhood friend, Ren for his beliefs and is continually dispirited as he watches the people he comes into contact with destroyed, especially his wife Meishan who loses her faith and hope in life itself as she struggles through the darkness of the Cultural Revolution.

Kuo, Peter

• The Amazing Wedding Race (East West, 2007)
  A wedding that never happens, the questionable sexuality of a brother (not really) and inappropriate attractions. Bridezilla and Will & Grace collide to create this farcical comedy.

Kurup, Shishir

• On Caring for the Beast (Disha Theatre, 2001)
  When a young writer embarks on the journey of interviewing a reformed torturer, she is led on a path that culminates in the confrontation necessary for the bones to be laid bare and for the redemption of the heart.
• Merchant on Venice (EWP/Lark Theatre, 2003)
  Bollywood meets Hollywood in this modern adaptation of Shakespeare's tragi-comedy, set in the South Asian community of Culver City, CA. Jitendra has fled Bollywood stardom to seek fame and fortune in Hollywood. To secure backing for his "India-Indie film with crossover appeal" he schemes to marry Pushpa, a rich young heiress, and in the process endangers the life of his best friend Devendra by becoming entangled with his nemesis Sharuk.
• As Vishnu Dreams (EWP, 2004)
  As Vishnu Dreams is a contemporary adaptation of the epic Hindu poem The Ramayana. The play explores the association of the lightness and darkness of skin with good and evil in the Hindu cosmology by examining the complicated relationship of the "fair" Queen Sita, the "wicked" Ravana and the "hero" Rama. Drawing on materials from Indian classical literature transformed to reflect the contemporary experience of South Asians in Los Angeles, As Vishnu Dreams is an intriguing exploration of the nature of morality, spirituality and the power of myth upon modern culture.

Kuruvilla, Sunil
A Canadian of East Indian descent, playwright Sunil Kuruvilla began writing as a child, winning two United Nations' literary awards for his short stories. A graduate of the Yale School of Drama, Kuruvilla has since won countless national and international awards including two duMaurier Arts awards recognizing Canada's best one-act plays.

• Rice Boy (The Public, 2000)
  Graceful and potent in its imagery, and rich in its humour and emotional resonance, Rice Boy is a magical coming-of-age journey about Tommy, a twelve-year-old boy caught between the starkly opposite worlds of Canada and East India.

Kuwahara, Gary

• camera shy (EWP, 2000)
  Bad modern romance gone wrong for a new Millennium. Immature material for mature audiences only.
• Doggie Style (EWP: Paper or Plastic, 2000)
  Mediocrity with pride? A tale of revenge on the "Peter Principle." Rising to the level of incompetence and other things that float.
• Play; One Night (EWP, 2001)
  Playing the 'relationship' game at work.
• In the Name of Howard (EWP, 2003)
  Couples therapy beyond all boundaries.
• Doggy Doo (EWP, 2005)
  Woof Blah, blah-blah. The dog knows everything humans don't.
• Camera Shy (EWP, 2007)
  The power of love language the internet technology lust greed porn stupid people blame.
• Fixtures at an Exhibition (EWP, 2008)
  Old people can haz sex. Fo' shizzel.
  

Kwong, Dan
DAN KWONG is a multimedia performance artist, writer, teacher and visual artist who has been presenting his solo autobiographical work nationally and internationally since 1989. He has performed and taught all across the U.S. and in England, Hong Kong, Thailand, Indonesia, Cambodia, Laos, Canada, China and Mexico. He is recipient of numerous fellowships from the National Endowment for the Arts, Rockefeller Foundation, Asian Cultural Council, California Community Foundation, Art Matters Inc., Brody Arts Fund, Franklin Furnace, L.A. Cultural Affairs Department, and was twice nominated for the Alpert Award in the Arts. In 1991 Kwong founded “TREASURE IN THE HOUSE”, L.A.’s first Asian Pacific American performance & visual art series at Highways Performance Space in Santa Monica, CA. His first book, “FROM INNER WORLDS TO OUTER SPACE: The Multimedia Performances of Dan Kwong” was published by University of Michigan Press in 2004, and in 2005 he was recognized by the Japanese American Historical Society for outstanding contributions to JA culture and history. He serves as Chairman of the Board for Highways and is a graduate of the School of the Art Institute of Chicago.   www.dankwong.com

• MAJOR WORKS:
  * Secrets of the Samurai Centerfielder (Highways, 1989)
  * Tales From The Fractured Tao with Master Nice Guy (Highways, 1991)
  * Monkhood in 3 Easy Lessons (Japan America Theater, L.A. 1993)
  * Correspondence of a Dangerous Enemy Alien (Japan America Theater, 1995)
  * The Dodo Vaccine (Highways, 1996)
  * The Night the Moon Landed on 39th Street (Highways, 1999)
  * The Art of Rice (collaboration)   (Japan America Theater, 2003)
  * Sleeping With Strangers (collaboration)   (Highways, 2006)
  * It’s Great 2B An American (Barnsdall Gallery Theater, L.A. 2006)
• Show Me Some Stuff (Ford Amphitheatre, 2006)
  Chicago, 1978. Disco rules. It's been 5 years since the tragic and untimely death of legendary martial artist Bruce Lee. Jenny Fong is a 13-year old Japanese-Chinese-American girl who's become a street-fighting, ass-kicking, gung-fu/Bruce Lee fanatic. Her best friend is a skinny kid who happens to be named Bruce Lee; a killer on the dance floor but a major nerd on the streets, who Jenny saves from local toughs. While Dad plays it cool, Mom really wishes Jenny would be more of a "normal" girl. When the annual JA community dance arrives, things come to a head between mother and daughter. In the midst of this family drama, the ghost of Bruce Lee appears (in a glass of water) to help Jenny on her journey.