Reviews by Plays

Along for the Ride, by Isaac Ho

• AsiaWeek Review, 8/97

Ballad of Yachiyo, by Philip Kan Gotanda

• Description from his agent's on-line catalog
• Berkeley Rep production 11/95, SF Chronicle 11/95
  Berkeley Rep production, SF Bay Guardian
  Berkeley Rep production, Cal Daily
• Seattle Rep production 2/97
  Seattle Rep production, 2/97, City Collegian
• Public Theater production, 11/97
  Also, review by Curtain Up
  Back Stage review
  

Bondage, by David Henry Hwang

• Politically Correct Theatre 12/93
• Description
• Orlando International Fringe Festival 4/97

Canton Jazz Club

• Asian Pacific Theatre Project, 1/98

Cleveland Raining, by Sung Rno

• Asian American Theater Company, 6/95, San Francisco papers
• Northwest Asian American Theatre, 1/96, Seattle Gay News review

The Confession of Madame Psyche, by Dorothy Bryant

• AsianWeek review, 12/96

Exit the Dragon

• Student review
• San Diego Union Tribune, 10/96
• NWAAT co-production, 10/97

Flipzoids, by Ralph Pena

• Northwest Asian American Theatre, 10/98

F.O.B., by David Henry Hwang

• Dramashop (M.I.T.) (1994)
• Asian American Repertory Theatre 3/97
• Asian Pacific Theatre Co., 7/97; supplementary feature

Gate of Heaven, by Lane Nishikawa & Victor Talmadge

• Richard Gist review
• artbiz
• San Diego Union Tribune
• Washington Post

Golden Child, by David Henry Hwang

• AP review
• Another review of Golden Child (from AISLE SAY, the Internet Magazine of Stage Reviews and Opinion)
• Richard Gist review, with photos
• Christian Science Monitor, 11/96
• Curtain Up 11/96
• Daily Californian, 2/98
• Fairfax Journal
• New York Times review, 11/20/96, available at www.nytimes.com (use search function)
• Sacramento Bee, 2/98
• San Diego Union Tribune review, 1/97
• SF Chronicle, 2/98
• San Francisco Examiner review, 11/18/96, at www.examiner.com (use search function)
• SF Examiner, 2/98
• SFWeekly, 2/98
• Singapore reviews, 1/98
• UC Irvine, 2/97
• Washington Post review (3/97)
• Web review

Gravity Falls From Trees, by Sung Rno

• Asian American Theater Co., 6/97

Happy Birthday! by Diane Yen-Mei Wong

• Asian American Theater Company, SF, San Francisco papers, 2/95

Home

• Northwest Asian American Theatre, Seattle Times review,1/98

The Innocence of Ghosts

• Pan Asian Repertory Theatre (1996)

Kokoro (True Heart) by Velina Houston

• Odyssey Theatre, LA, 4/96

A Language of Their Own, by Chay Yew

• Group Theatre, Seattle 2/97
  Seattle Times Review, 2/97
• Vandalay Productions (Canada)
  Toronto Sun review, 1/97
  Toronto Eye review, 1/97
• Asian American Theatre Company, SF Bay Guardian SF, 1/96
  Asian American Theatre Company, SF Examiner, 1/96
• NY Times review, 6/95

Lucky Come Hawaii

• Kennedy Center 1990

Paper Angels, by Genny Lim

• Asian Pacific Theatre Co., 10/96

Peer Gynt, by David Henry Hwang

• Boston Phoenix, 2/98

Porcelain, by Chay Yew

• SpeakEasy, Boston, 2/98

Rashomon

• Asian PacificTheatre Co., 10/97

Rosie's Cafe, by Ric Shiomi

• Asian Pacific Theatre Co., Sacramento Bee review (8/98)

S.A.M. I Am ,by Warren Omata

• Asian American Theater Co., SF papers, 3/96
• Asian Pacific Theatre Co., Sacramento Bee, 1/97

Sound of a Voice by David Henry Hwang

• Iron Age Theatre (PA), summary, 9/97

The Taste of Kona Coffee by Ed Sakamoto

• East West Players: Sun Review
  East West Players: Theatre4u review (2/97)
• Asian Pacific Theatre Co.: Sacramento Bee review (5/98)

Tea, by Velina Hasu Houston

• Asian Pacific Theatre Project, 7/96
• Asian American Repertory Theatre, San Diego, 5/97

Walls, by Jeannie Barroga

• Asian Pacific Theatre Project, 5/97

The Wash, by Philip Kan Gotanda

• InterAct, 10/98

Whitelands trilogy, by Chay Yew
(Porcelain, Language of their Own and Half Lives)

• East West Players, 1/96
  APXRDS review
  Theatre Journal review

Woman From the Other Side of the World, by Linda Faigao-Hall

• East West Players, 6/97